Monday, August 23, 2010

VARIOUS ARTISTS- That Summer! (1979)


This compilation of punk/post-punk acts from the late 70's is rather like a greatest hits of the best songs of that period. When I stumbled across this record at Egg Records in Brisbane last weekend, I did hesitate before buying it as I already own all of the songs on various other LPs. The $7 price-tag was however enough to convince me to snatch this wonderful comp. The sequencing of the tracks is quite well done too. There are bona fide classics of the post-punk era on this. Let's just name Teenage Kicks by the mighty Undertones or Sex & Drugs & Rock'n'Roll by Ian Dury (which kickstarts this LP very aptly). The songs are all great and the artists themselves are pretty faultless too (Patti Smith, Elvis Costello, The Ramones etc...). Also worthy of note are two of my favourite tracks of just about all time (I Love The Sound Of Breaking Glass from Nick Lowe's superlative Jesus of Cool and Spanish Stroll, the ultimate NYC anthem by now-deceased Willie Deville of Mink Deville). This is an absolute no-brainer, a fabulous Saturday night party record or maybe a great hangover cure, who knows?

listen to Spanish Stroll & Nick Lowe's Bomb

Thursday, July 22, 2010

VARIOUS ARTISTS- Pomegranates (2009)

Here's a compilation by relentless groove diggers Finders Keepers which I bought recently (last weekend) after a visit to one of my fave record stores in Melbourne (the quite awesome Northside Records in Gertrude Street). I'd been contemplating getting this comp but after listening to a few tracks on the store turntable, I was sold in two secs. The double LP is a collection of ultra-groovy psych and funk tunes from Iran. The liner notes are intriguing and deftly written. The choice of songs can only be described as impeccable and extremely well-sequenced. Of course I haven't got a clue what they're singing about but who cares when the music's that funky? Finders Keepers is really a fantastic label and one can only imagine what treasures they may be busy excavating in the near future.


Listen to the impossibly funky Soul Raga by Mehrpooya

Here's the Finders Keepers blurb about this LP:


It's no accident that the phoenix is an exalted moral, mythical, and figurative symbol in Iran. Like the phoenix, Iranian culture is in constant flux and, at times, elusive, with its existential wavering and blurred panoramas. Most of contemporary Iran's artistic and creative leanings, its grapples with history and identity, are loosely and mystically conjoined and contested in memory. Iran is marked by the complex interplay of diverse constituencies, philosophies, and influences: ethnic, religious, political, geopolitical and historical. The glorification of pre-Islamic antiquity (in search of authentication) marked the socio-cultural attitude of a bygone era and is witnessing revival in the present day. The discordant reality of eastern traditions complicated by the rampant confusions of modernity has become a norm in Persian dialogue, not to mention revolution, exile, and diaspora. Like many other countries, the Sixties and Seventies were a time of tumult in Iran, bringing growth (via petrodollars) and freedom (under the banner of socioeconomic development) while exacerbating inequalities within the country.
The music and voices that blossomed during those decades exemplify the turbulence and excitement of the age. It is worth recognizing these 'left out' and 'lost' artists individually and as a group in the global happenings of 60s/70s psych, rock and folk, while exploring their influence and relevance to the present day. Is it possible that there is a genus of delectable sounds and fetching images that almost exclusively reside in the elbowroom of memory and nostalgic 'yesteryear' storytelling? Little consideration has been given to the correlation of these sounds and stories within the universal psychedelic phenomena: parallel to the shared stylistics of British and American players, and the radical politicking of their Turkish and Korean counterparts.
This collection endeavors to re-contextualize these songs from the realm of reminiscence, nostalgia, and memory into a specific and accessible narrative to share and relate within the universal musical gamut. It is for aficionados, the curious, and collectors alike. We hope that Iranians around the world will rediscover these songs. This collection is, in some sense, dedicated to a generation in self-imposed mental exile, due to years of war and catastrophe; decades of lies and bombs; a fundamentalist theocracy of reformist shams; addiction; isolation and alienation; unemployment, and inflation. These are voices and stories that may again prove relevant to a psychologically damaged and spiritually corrupt society, a society whose discontents recall the latter years of the Shah's rule.
The recordings excavated here are highly sexual musings, voluble love songs, and simple folk tunes. In many of these songs, there are subtle voices of political protest. Here is a personal best, a handful of artists and diversely stylized songs, presented on Finders Keepers.



Saturday, July 3, 2010

MIXTAPE#2. We Did It Again (Prog, Psych and Acid-folk ditties)


KAHVAS JUTE- Free
AIR -Playground Love
SOFT BOYS- Kingdom Of Love
GURU GURU- Stone In
KRAFTWERK -Showroom Dummies
BILL FAY- Screams In The Ears
DUNGEN - Festival
MELLOW CANDLE- The Poet & The Witch
FAIRPORT CONVENTION-Meet On The Ledge
FRANK ZAPPA- Peaches En Reagalia
SKIP BIFFERTY- Come Around
COMUS -Song From Comus
THE SOFT MACHINE- We Did It Again
TERRY REID- Dean
ESPERS- Mansfield and cyclops
JAN DUKES DE GREY- Mice And Rats In the Loft



Sunday, June 20, 2010

FAIRPORT CONVENTION- Liege & Lief (1969)

Great British electric folk-rock starts here. This is the record that started it all, a collection of impeccable tunes sung with desperate ferocity by Sandy Denny. I used to think this was mere folk music and I was probably quick to dismiss it as just another acoustic guitar meets whinny vocals type of record. But I was a fool. This is a sensational electric folk LP with so much invention within it makes me wonder how they even made it.

Tuesday, June 15, 2010

DIG OF THE DAY (Sunday 13/06/10)

On Sunday morning, the missus & I often hit this second-hand market in the Melbourne suburb of Camberwell and, invariably, I come back with a stack of cool records to keep me busy for a while (...well, a couple of days). As I am experimenting with this blog, I thought I'd discuss my finds. It may not be as interesting as it promises to be, but heck, I'll give it a go.

First I finally got round to buying The Mothers' classic double avant-garde LP, Uncle Meat. This is a very neat Canadian press in extremely good condition. I listened to the first disc and it's promising. In typical Zappa fashion, it will require repeated listens in order to pay of but I'm willing to wait.
Then I moved on to a dude who has this Soul/Funk/Hip-hop stall (well, mainly that and a bit of classic rock too). He has stacks of groovy records but as I am not made of money I had to pick a couple. This is a classic slice of Jazz Funk from Herbie Hancock's backing band on his Headhunters LP. God made me funky is worth the purchase alone. Great drum break at the start and an incredibly funky bassline. Essential! At the same stall, I snapped a copy of a rarely seen Hancock LP called Mwandishi. It was released in 1970 and is quite reminiscent of what Miles Davis did on Bitches Brew or In A Silent Way. Electric Jazz with touches of funk, very understated but quite powerful.
 I then found this Ten Years After LP for very cheap and since I like the band, I gave it a shot. Some excellent songs on it but nothing mind-altering if you get my drift.


Finally, I rounded up my purchases with three very different LPs. In fact you couldn't get any more varied LPs if you tried. The Innocence is bubblegum pop from the US Kama Sutra label. It's very Monkee-ish, has a couple of nice tunes on it but it's not something you would spend ages listening to. Pleasant enough. I think I got seduced by the slightly psychedelic sleeve. I'm always sucked in. I also got the first Henry Cow LP which I haven't listened to as yet but I expect some cool avant-prog at the very least. The Serpico OST sort of fell into my hands and it looked cool enough to come home with me. Some very groovy cop-show style tunes on this. This ain't Bullitt however.

Thursday, June 10, 2010

KEVIN COYNE: Marjory Razorblade (1973)

I first became aware of the music of legend Kevin Coyne whilst reading the transcript for an interview John Lydon (aka Johnny Rotten from the Sex Pistols) gave on London's Capitol Radio. DJ Tommy Vance asked the ex-Pistols frontman to bring a selection of great records to play on his show and talk about the music & why he rated these artists. Amongst the wide palette of sounds brought in by Lydon were numerous luminaries such as Can (Tony Vance played the whole of Halleluwah, 17 minutes of full blast Krautrock), Bowie, Nico, Lou Reed, Beefheart and Tim Buckley. Unsurprisingly, he also took in some great reggae and dub LPs (Augustus Pablo , Ken Boothe, Peter Tosh). I say unsurprisingly because almost every great UK punk band was listening to reggae back then. Anyway,  I noticed this song called Eastbourne Ladies amongst the list. This led me on a wild search for a copy of the said tune. Subsequently, I discovered that it came from a classic double LP entitled Marjory Razorblade which took me ages to track down on vinyl. Finally I found a copy on Ebay for 10 bucks (shocked as I was) and proceeded to listen to the LP. Eastbourne Ladies is a killer song and so are many of the selections on this fine album. The style is pitched between Blues, folk-rock and a slight Beefheart sensibility which in itself isn't a bad thing. The songs are all great, from Marlene to House On The Hill with its mournful slide guitar to the manic Good Boy. Kevin Coyne died a few years ago in his adopted home of Nuremberg in Germany. He was also a visual artist and played his guitar lying flat on his lap. He was, in the words of Paul Simon, a 'most peculiar man'.

Monday, June 7, 2010

The ANIMATED EGG- Guitar Freakout (1967, Reissue 2009)

The Animated Egg's debut record originally issued back in 1967 is one of the most sought-after psychedelic exploitation LPs of all time. It fetches ridiculous sums on E-bay mainly because feverish collectors are prepared to spend big bucks on this rare piece of wax. When it was originally issued however, it barely made a dint anywhere, soon ending up in bargain bins throughout America.Thanks to the good folks at Sundazed records, we can now all enjoy the aforementioned 'guitar freakout'. This double LP is nothing like the many so-called psych pastiches available in just about every charity shop across the country (and believe me I own quite a few myself). This, along with fantastic releases by Drum-tastic muso Sandy Nelson, is just about the most exciting psych instrumental record I have ever heard. You could so easily slot any of these songs into a DJ set in a club. No one would realise. The bloke who came up with the Animated Egg concept goes by the name of Jerry Cole. He was a session man from L.A who clearly had an ear for mean instrumental rock covers. Anyhow, this is well worth pursuing. A very cool record indeed.

Hear some here.